Developing an Ontology of New Interfaces for Realtime Electronic Music PerformancePresented at EMS 09 (Electro-Acoustic Music Studies Network), Buenos Aires.
Pools Pixies and Potentials: Biosening in DanceISEA 2009, Belfast.
Towards unified design guidelines for new interfaces for musical expressionPaine, G. (2009). Towards unified design guidelines for new interfaces for musical expression. Organised Sound, 14(2), 143-156.
Music Therapy ProjectThis project was funded through a UWS Partnership grant with the Nordoff Robbins Foundation.
Lem, A., Paine, G., & Drummond, J. (2008). A Dynamic Sonification Device in Creative Music Therapy. Paper presented at the Research Matters, Making a Difference, Sydney.
Noise and Texture, towards an Asian Influenced Composition Approach to the Concert FlutePaine, G. (2008). Noise and Texture, towards and Asian influences composition approach to the concert flute. In M. Atherton & B. Crossman (Eds.), Music of the Spirit: Asian-Pacific Musical Identity (pp. 139-149). Sydney: Australian Music Centre.
Noise and Texture
Interactivity Where to from HerePaine, G. (2002). Interactivity, where to from here? Organised Sound, 7(3), 295-304.
Sonic ImmersionPaine, G. (2007). Sonic Immersion: Interactive Engagement in Real-Time Immersive Environments. SCAN Journal of Media Arts and Culture (online), 4(1).
The Thump ProjectPaine, G., Stevenson, I., & Pearce, A. (2007). The Thummer Mapping Project (ThuMP). Paper presented at the International Conference on New Interfaces for Musical Expression (NIME07), New York City, NY.
Playing and Hearing Sonic EnvironmentsPaine, G. (2007). Playing and Hearing Sonic Environments. In Hearing Places (pp. 348-369). Cambridge, UK: Cambridge Scholars Publishing.
Paine_Sonic Environments 010705
Neural Nets in DancePresented at the Creativity and Exploration, College Conference, UWS, Sydney, 2005
Gesture and Morphology in Laptop Music PerformancePaine, G. (2008). Gesture and Morphology in Laptop Music Performance. In R. T. Dean (Ed.), The Oxford Handbook of Computer Music and Digital Sound Culture (pp. 299-329): Oxford University Press.
Gesture and Morphology in Laptop Performance
Endangered Sounds (Organised Sound)Paine, G. (2004). Endangered Sounds: Silence as Sonic Exploration. Paper presented at the Biennale of Electronic Arts Perth (BEAP04), Perth.
ReedsPaine, G. (2003). REEDS, a responsive environmental sound installation. Organised Sound, 8(2), 139-150.
REEDS GPaine OS8_2
Artistic ContextPublished In: Ascott, R. (1997), Engineering nature: art & consciousness in the post-biological era ISBN-10: 184150128X
Artistic Context CAiiA03
Available in print from Lulu.com
Copyright ©2009 Garth Paine (Standard Copyright License)
Publication Date: September 30, 2009
Designing Public Acoustic Space : Australian Sound Designs, a database and website for a more considered acoustic environment.Presented at ACMC 2000
Aus SoundDesign Proj Paper
Advice to Young ComposersI contributed to this document in 2007 and thought it might be of interest to others
Advice to Young Composers