
August 28th, 2005 by

Garth
Here is a sneak preview of a new CD of material for ancient acoustic instruments (played by Michael Atherton) and live electronic processing using the Capybara, Kyma system , and their new Cross-Synthesis tools
The CD should be released later this year
Enjoy, Garth
Available as Podcast at http://www.activatedspace.com/blog/?feed=rss2
Posted in Experimental Electronic Music Performance, Podcast |
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August 28th, 2005 by

Garth
An internview with Daniel Palmer for RealTime discussing the body as the central conduit for experience and engagement with the world around us, the conceptual framework for my interactive installation Gestation
Posted in Sound Art |
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August 28th, 2005 by

Garth
In an article titled Composing Potentials, I discuss the ideas behind the development of my realtime interactive sound installation works, and my new work for realtime electronic processing of ancient acoustic instruments, performed live by Michael Atherton.
To read the article go to RealTime
Posted in Experimental Electronic Music Performance, Sound Art |
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August 17th, 2005 by

Garth
This is an Interview with Julian Day for ABC's New Music Australia program a few years ago where we discuss the idea of the electronic musician, composer as instrument builder.
Enjoy, Garth
Available as Podcast at http://www.activatedspace.com/blog/?feed=rss2
Also available here
Posted in Podcast, Research Projects |
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August 14th, 2005 by

Garth
Recently I have been in the studio with Michael Atherton, recording a new CD of material for Ancient Acoustic Instruments and Live Electronics Kyma, Capybara system . We have been exploring the richness of the acoustic instruments and their symbolic meaning, and the fluidity and ability to expand the sonic landscape so characteristic of the electronic domain.
You can here some of the tracks here
Hope you enjoy them. CD should be launched by the end of the year.
cheers Garth
Posted in Experimental Electronic Music Performance |
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August 8th, 2005 by

Garth
Hi all
In September, 2005, Melbourne Australia, RMIT University is running a conference called Vital Signs Conference, sponsored by the Australia Council, the purpose of the conference is to review the current state of New Media Arts practice in Australia in the light of the Australia Council for the Arts disolution fo the New Media Art Fund.
I have written a paper on Funding for Sonic Arts
Feedback and comments are welcome. Cheers Garth
Posted in Experimental Electronic Music Performance, Sound Art |
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