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	<title>Sonic Residues</title>
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	<description>Sonic Experiences in the Electroacoustic stratosphere.  Music by Garth Paine</description>
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	<copyright>Copyright &#xA9; Sonic Residues 2011 </copyright>
	<managingEditor>garth@activatedspace.com (Sonic Residues)</managingEditor>
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		<title>Sonic Residues</title>
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	<itunes:summary>Sonic Experiences in the Electroacoustic stratosphere.  Music by Garth Paine</itunes:summary>
	<itunes:keywords></itunes:keywords>
	<itunes:category text="Society &#38; Culture" />
	<itunes:author>Sonic Residues</itunes:author>
	<itunes:owner>
		<itunes:name>Sonic Residues</itunes:name>
		<itunes:email>garth@activatedspace.com</itunes:email>
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		<title>SolidDrive &#8211; useful transducers</title>
		<link>http://www.activatedspace.com/ASblog/?p=1563</link>
		<comments>http://www.activatedspace.com/ASblog/?p=1563#comments</comments>
		<pubDate>Mon, 18 Mar 2013 04:05:52 +0000</pubDate>
		<dc:creator>Garth</dc:creator>
				<category><![CDATA[Experimental Electronic Music Performance]]></category>
		<category><![CDATA[Research Projects]]></category>
		<category><![CDATA[Sound Art]]></category>
		<category><![CDATA[supportive technologies]]></category>

		<guid isPermaLink="false">http://www.activatedspace.com/ASblog/?p=1563</guid>
		<description><![CDATA[Induction Dynamics® SolidDrive® is a powerful hidden sound transducer that transmits acoustical energy through almost any solid surface. The entire surface becomes a speaker delivering high-quality sound and the frequency response of conventional diaphragm speakers. SolidDrive® provides a distinct advance &#8230; <a href="http://www.activatedspace.com/ASblog/?p=1563">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.activatedspace.com/blog/wp-content/uploads/2013/03/Screen-Shot-2013-03-18-at-3.04.17-PM.png"><img src="http://www.activatedspace.com/blog/wp-content/uploads/2013/03/Screen-Shot-2013-03-18-at-3.04.17-PM.png" alt="Screen Shot 2013-03-18 at 3.04.17 PM" width="492" height="599" class="aligncenter size-full wp-image-1564" /></a></p>
<p>Induction Dynamics® SolidDrive® is a powerful hidden sound transducer that transmits acoustical energy through almost any solid surface. The entire surface becomes a speaker delivering high-quality sound and the frequency response of conventional diaphragm speakers. SolidDrive® provides a distinct advance for audio systems used in home theater systems, distributed audio, and other high-performance audio applications. SolidDrive® works with rigid surfaces that include glass, drywall, granite, metal, wood, ceramics, laminates and composites. Because the SolidDrive® utilizes materials already existing in a room, it's ideal for installed home audio, commercial audio, or a home theater sound system anywhere an invisible sound source is needed.</p>
<p>They also have passive <a href="http://www.soliddrive.com/passive-eq-modules.html">EQ for different materials</a></p>
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		<item>
		<title>BalletLab &#8211; radio interview about my music</title>
		<link>http://www.activatedspace.com/ASblog/?p=1561</link>
		<comments>http://www.activatedspace.com/ASblog/?p=1561#comments</comments>
		<pubDate>Mon, 18 Mar 2013 03:41:02 +0000</pubDate>
		<dc:creator>Garth</dc:creator>
				<category><![CDATA[Experimental Electronic Music Performance]]></category>
		<category><![CDATA[Music Composition]]></category>

		<guid isPermaLink="false">http://www.activatedspace.com/ASblog/?p=1561</guid>
		<description><![CDATA[I had an interesting time discussing music with Ian Parsons on PBS's The Sound Barrier Ever since Bach first showed that the one keyboard could play music in 24 different keys, and redefined tonality in the process, music has been &#8230; <a href="http://www.activatedspace.com/ASblog/?p=1561">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>I had an interesting time discussing music with <a href="http://www.pbsfm.org.au/node/24298">Ian Parsons on PBS's The Sound Barrier </a></p>
<p>Ever since Bach first showed that the one keyboard could play music in 24 different keys, and redefined tonality in the process, music has been driven ahead by experimenters. The Sound Barrier is an opportunity to explore and celebrate some of the really daring and fascinating innovation that has taken place in music over the past hundred years and that continues to take place now every day, everywhere.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>BalletLab Performances</title>
		<link>http://www.activatedspace.com/ASblog/?p=1557</link>
		<comments>http://www.activatedspace.com/ASblog/?p=1557#comments</comments>
		<pubDate>Mon, 18 Mar 2013 03:31:35 +0000</pubDate>
		<dc:creator>Garth</dc:creator>
				<category><![CDATA[Ambisonics]]></category>
		<category><![CDATA[Arduino]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Experimental Electronic Music Performance]]></category>
		<category><![CDATA[Music Composition]]></category>
		<category><![CDATA[Research Projects]]></category>
		<category><![CDATA[Sound Art]]></category>

		<guid isPermaLink="false">http://www.activatedspace.com/ASblog/?p=1557</guid>
		<description><![CDATA[WORLD PREMIERE SEASON - one week remaining tix. here http://www.mtc.com.au/tickets/production.aspx?performanceNumber=6112 From vibrational energy and utopian impulses to alien abduction, this immersive performance draws together dance, sound, set design and fashion to envelop audiences into an otherworldly, transformative experience. Choreographers Brooke &#8230; <a href="http://www.activatedspace.com/ASblog/?p=1557">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.activatedspace.com/blog/wp-content/uploads/2013/02/Screen-Shot-2013-02-12-at-3.44.37-PM.png"><img src="http://www.activatedspace.com/blog/wp-content/uploads/2013/02/Screen-Shot-2013-02-12-at-3.44.37-PM.png" alt="Screen Shot 2013-02-12 at 3.44.37 PM" width="836" height="986" class="aligncenter size-full wp-image-1547" /></a></p>
<p>WORLD PREMIERE SEASON - one week remaining</p>
<p>tix. here<br />
<a href="http://www.mtc.com.au/tickets/production.aspx?performanceNumber=6112" target="_blank">http://www.mtc.com.au/tickets/production.aspx?performanceNumber=6112</a></p>
<p>From vibrational energy and utopian impulses to alien abduction, this immersive performance draws together dance, sound, set design and fashion to envelop audiences into an otherworldly, transformative experience.</p>
<p>Choreographers Brooke Stamp and Phillip Adams construct a kinetic space where time is elastic; driven by sublime, generative sound composed and performed by Garth Paine. In the second half - Adams' Tomorrow - some members of the audience are asked to participate to become part of the installation and performance, creating an architectural abduction experience. </p>
<p>WARNING: This performance contains full nudity and immersive sound effects.  </p>
]]></content:encoded>
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		<title>Oscillations opening night</title>
		<link>http://www.activatedspace.com/ASblog/?p=1554</link>
		<comments>http://www.activatedspace.com/ASblog/?p=1554#comments</comments>
		<pubDate>Fri, 22 Feb 2013 17:50:10 +0000</pubDate>
		<dc:creator>Garth</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Experimental Electronic Music Performance]]></category>
		<category><![CDATA[Sound Art]]></category>

		<guid isPermaLink="false">http://www.activatedspace.com/ASblog/?p=1554</guid>
		<description><![CDATA[Some video shot by Barry Moon of the Opening NIght of my installation, Oscillations Garth Paine - Oscillations opening Feb. 2013 from Barry Moon on Vimeo. Garth Paine - Oscillations opening Feb. 2013 2 from Barry Moon on Vimeo.]]></description>
				<content:encoded><![CDATA[<p>Some video shot by Barry Moon of the Opening NIght of my installation, Oscillations</p>
<p><iframe src="http://player.vimeo.com/video/60223892" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
<p><a href="http://vimeo.com/60223892">Garth Paine - Oscillations opening Feb. 2013</a> from <a href="http://vimeo.com/user1265178">Barry Moon</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><iframe src="http://player.vimeo.com/video/60224104" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
<p><a href="http://vimeo.com/60224104">Garth Paine - Oscillations opening Feb. 2013 2</a> from <a href="http://vimeo.com/user1265178">Barry Moon</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
]]></content:encoded>
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		<title>Conversation Prelude</title>
		<link>http://www.activatedspace.com/ASblog/?p=1552</link>
		<comments>http://www.activatedspace.com/ASblog/?p=1552#comments</comments>
		<pubDate>Wed, 20 Feb 2013 17:17:08 +0000</pubDate>
		<dc:creator>Garth</dc:creator>
				<category><![CDATA[Experimental Electronic Music Performance]]></category>
		<category><![CDATA[Music Composition]]></category>

		<guid isPermaLink="false">http://www.activatedspace.com/ASblog/?p=1552</guid>
		<description><![CDATA[This new work was commissioned by the Electronic Music Foundation for the 100XJohn festival of John Cage in New York in December 2012. EAR TO THE EARTH IN COLLABORATION WITH MA.P.S AT WHITE BOX PRESENT 100X JOHN: A GLOBAL SALUTE &#8230; <a href="http://www.activatedspace.com/ASblog/?p=1552">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>This new work was commissioned by the Electronic Music Foundation for the 100XJohn festival of John Cage in New York in December 2012.</p>
<p>EAR TO THE EARTH IN COLLABORATION WITH MA.P.S AT WHITE BOX PRESENT 100X JOHN: A GLOBAL SALUTE TO JOHN CAGE IN SOUND AND IMAGE<br />
DECEMBER 20 – 23, 2012</p>
<p><iframe src="http://player.vimeo.com/video/58322364?byline=0&amp;portrait=0" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
<p><a href="http://vimeo.com/58322364">Conversation Prelude - rendered version</a> from <a href="http://vimeo.com/garthpaine">Garth Paine</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p>The idea for this music arises from a number of visits to Bundanon in Australia, where I undertook explorations in engaging in conversations with the landscape. These conversations took several forms: ambisonic recordings of the natural environment; piano wire fixed between trees to record the sounds generated by the movement of the tree trunks in the wind (tightening and loosening the tension of the wires) and through bowing and striking the wires; and vocalisations recorded as improvised conversations with the land and the birds. These materials come together here as a prelude to an ongoing inquiry into the ways in which we converse with nature on a daily basis. And I'm playing a flute as one example of my part of the conversation<br />
Animation by Garth Paine using Artmatic<br />
Thanks to Orin Buck for the video (buck art.com)<br />
see<br />
<a href="http://eartotheearth.org/john_e2e/e2e12_100xjohn_Dec22.html" title=" Ear to the Earth, 100xjohn" target="_blank">http://eartotheearth.org/john_e2e/e2e12_100xjohn_Dec22.html</a><br />
<a href="http://whiteboxnyc.org/event/100x-john-a-global-salute-to-john-cage-in-sound-and-image/" title="White Box Gallery" target="_blank">http://whiteboxnyc.org/event/100x-john-a-global-salute-to-john-cage-in-sound-and-image/</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.activatedspace.com/ASblog/?feed=rss2&#038;p=1552</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Oscillations &#8211; new installation work</title>
		<link>http://www.activatedspace.com/ASblog/?p=1550</link>
		<comments>http://www.activatedspace.com/ASblog/?p=1550#comments</comments>
		<pubDate>Wed, 20 Feb 2013 17:11:25 +0000</pubDate>
		<dc:creator>Garth</dc:creator>
				<category><![CDATA[Experimental Electronic Music Performance]]></category>
		<category><![CDATA[Interfaces]]></category>
		<category><![CDATA[Music Composition]]></category>
		<category><![CDATA[Research Projects]]></category>
		<category><![CDATA[Sound Art]]></category>

		<guid isPermaLink="false">http://www.activatedspace.com/ASblog/?p=1550</guid>
		<description><![CDATA[I begun this project in 2009 - after many iterations of the design, they have finally taken shape - here is a short teaser for the premier show in Phoenix, Arizona SingingBowls - Oscillations from Garth Paine on Vimeo.]]></description>
				<content:encoded><![CDATA[<p>I begun this project in 2009 - after many iterations of the design, they have finally taken shape - here is a short teaser for the premier show in Phoenix, Arizona</p>
<p><iframe src="http://player.vimeo.com/video/60007421?byline=0&amp;portrait=0" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
<p><a href="http://vimeo.com/60007421">SingingBowls - Oscillations</a> from <a href="http://vimeo.com/garthpaine">Garth Paine</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>BalletLab &#8211; And All Things Return to Nature Tomorrow</title>
		<link>http://www.activatedspace.com/ASblog/?p=1546</link>
		<comments>http://www.activatedspace.com/ASblog/?p=1546#comments</comments>
		<pubDate>Tue, 12 Feb 2013 22:49:25 +0000</pubDate>
		<dc:creator>Garth</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Experimental Electronic Music Performance]]></category>
		<category><![CDATA[Music Composition]]></category>
		<category><![CDATA[Research Projects]]></category>
		<category><![CDATA[Sound Art]]></category>

		<guid isPermaLink="false">http://www.activatedspace.com/ASblog/?p=1546</guid>
		<description><![CDATA[Come and be amazed - immersed in sound, abducted by aliens and generally transformed [photo Busby] And All Things Return to Nature Tomorrow Phillip Adams BalletLab Overview WORLD PREMIERE SEASON From vibrational energy and utopian impulses to alien abduction, this &#8230; <a href="http://www.activatedspace.com/ASblog/?p=1546">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>Come and be amazed - immersed in sound, abducted by aliens and generally transformed</p>
<p><a href="http://www.activatedspace.com/ASblog/?attachment_id=1547" rel="attachment wp-att-1547"><img src="http://www.activatedspace.com/blog/wp-content/uploads/2013/02/Screen-Shot-2013-02-12-at-3.44.37-PM.png" alt="Screen Shot 2013-02-12 at 3.44.37 PM" width="836" height="986" class="aligncenter size-full wp-image-1547" /></a> [photo Busby]</p>
<p>And All Things Return to Nature Tomorrow<br />
Phillip Adams BalletLab<br />
Overview</p>
<p>WORLD PREMIERE SEASON<br />
From vibrational energy and utopian impulses to alien abduction, this immersive performance draws together dance, sound, set design and fashion to envelop audiences into an otherworldly, transformative experience.</p>
<p>Choreographers Brooke Stamp and Phillip Adams construct a kinetic space where time is elastic; driven by sublime, generative sound composed by Garth Paine. In the second half - Adams' Tomorrow - some members of the audience are asked to participate to become part of the installation and performance, creating an architectural abduction experience.</p>
<p>Building on Adams’ passion for collaboration across art forms, the performance features a live electronic score by Garth Paine, set design from architect Matthew Bird, clothing and design by Melbourne fashion designer Susan Dimasi from Materialbyproduct, and lighting design and effects by Robin Fox. Each choreographer will perform in their own piece alongside dancers Deanne Butterworth, Rennie McDougall and Matthew Day.</p>
<p>A participant in the L’Oreal Melbourne Fashion Festival Cultural Program. </p>
<p>Phillip Adams BalletLab is assisted by the Australian Government through the Australia Council, its Arts Funding and Advisory Body. This project has also been supported by Arts Victoria, The Ian Potter Foundation, The Angior Family Foundation, the Besen Family Foundation and Ken. </p>
<p>WARNING: This performance contains full nudity and immersive sound effects. </p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Turntabilism</title>
		<link>http://www.activatedspace.com/ASblog/?p=1543</link>
		<comments>http://www.activatedspace.com/ASblog/?p=1543#comments</comments>
		<pubDate>Tue, 12 Feb 2013 22:43:57 +0000</pubDate>
		<dc:creator>Garth</dc:creator>
				<category><![CDATA[Experimental Electronic Music Performance]]></category>
		<category><![CDATA[Interfaces]]></category>
		<category><![CDATA[Music Composition]]></category>
		<category><![CDATA[Research Projects]]></category>
		<category><![CDATA[Sound Art]]></category>

		<guid isPermaLink="false">http://www.activatedspace.com/ASblog/?p=1543</guid>
		<description><![CDATA[A useful set of links on Turntabilism http://cec.sonus.ca/econtact/14_3/]]></description>
				<content:encoded><![CDATA[<p>A useful set of links on Turntabilism</p>
<p><a href="http://cec.sonus.ca/econtact/14_3/" title="eContact">http://cec.sonus.ca/econtact/14_3/</a></p>
<p><a href="http://www.activatedspace.com/ASblog/?attachment_id=1544" rel="attachment wp-att-1544"><img src="http://www.activatedspace.com/blog/wp-content/uploads/2013/02/weissenbrunner_grammophone_s.jpg" alt="weissenbrunner_grammophone_s" width="250" height="179" class="aligncenter size-full wp-image-1544" /></a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>8 channel embedded playback</title>
		<link>http://www.activatedspace.com/ASblog/?p=1540</link>
		<comments>http://www.activatedspace.com/ASblog/?p=1540#comments</comments>
		<pubDate>Sat, 09 Feb 2013 21:57:28 +0000</pubDate>
		<dc:creator>Garth</dc:creator>
				<category><![CDATA[Ambisonics]]></category>
		<category><![CDATA[Interfaces]]></category>
		<category><![CDATA[Music Composition]]></category>
		<category><![CDATA[Research Projects]]></category>
		<category><![CDATA[Sound Art]]></category>
		<category><![CDATA[supportive technologies]]></category>

		<guid isPermaLink="false">http://www.activatedspace.com/ASblog/?p=1540</guid>
		<description><![CDATA[www.waveplayer.de/dl/SD-Card%20Waveplayer%20Manual%20V1.5.pdf www.waveplayer.de/]]></description>
				<content:encoded><![CDATA[<p><a href="www.waveplayer.de/dl/SD-Card%20Waveplayer%20Manual%20V1.5.pdf" title="Manual online" target="_blank">www.waveplayer.de/dl/SD-Card%20Waveplayer%20Manual%20V1.5.pdf</a></p>
<p><a href="http://www.waveplayer.de/" target="_blank">www.waveplayer.de/</a></p>
<div class="wp-caption aligncenter" style="width: 802px"><img src="http://www.waveplayer.de/i/WP2.gif" width="792" height="642" class /><p class="wp-caption-text">Embedded player - up to 16 channels</p></div>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Midi Jacket</title>
		<link>http://www.activatedspace.com/ASblog/?p=1538</link>
		<comments>http://www.activatedspace.com/ASblog/?p=1538#comments</comments>
		<pubDate>Thu, 17 Jan 2013 05:41:23 +0000</pubDate>
		<dc:creator>Garth</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Experimental Electronic Music Performance]]></category>
		<category><![CDATA[Interfaces]]></category>
		<category><![CDATA[Music Composition]]></category>
		<category><![CDATA[Research Projects]]></category>
		<category><![CDATA[Sound Art]]></category>
		<category><![CDATA[supportive technologies]]></category>

		<guid isPermaLink="false">http://www.activatedspace.com/ASblog/?p=1538</guid>
		<description><![CDATA[MJ v01 The first jacket that allows the user to create music through motion and touch sensors with a mobile app.]]></description>
				<content:encoded><![CDATA[<p>MJ v01 The first jacket that allows the user to create music through motion and touch sensors with a mobile app.</p>
<p><iframe width="480" height="360" src="http://www.kickstarter.com/projects/machina/midi-controller-jacket-v01/widget/video.html" frameborder="0"> </iframe></p>
]]></content:encoded>
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