Garth Paine

Developing an Ontology of New Interfaces for Realtime Electronic Music Performance Presented at EMS 09 (Electro-Acoustic Music Studies Network), Buenos Aires. tiem	Pools Pixies and Potentials: Biosening in Dance ISEA 2009, Belfast. PoolsAndPixies_ISEA
Towards unified design guidelines for new interfaces for musical expression Paine, G. (2009). Towards unified design guidelines for new interfaces for musical expression. Organised Sound, 14(2), 143-156. Design Guidlines	Music Therapy Project This project was funded through a UWS Partnership grant with the Nordoff Robbins Foundation. Lem, A., Paine, G., & Drummond, J. (2008). A Dynamic Sonification Device in Creative Music Therapy. Paper presented at the Research Matters, Making a Difference, Sydney. Sonification_MusicTherapy Paper
Noise and Texture, towards an Asian Influenced Composition Approach to the Concert Flute Paine, G. (2008). Noise and Texture, towards and Asian influences composition approach to the concert flute. In M. Atherton & B. Crossman (Eds.), Music of the Spirit: Asian-Pacific Musical Identity (pp. 139-149). Sydney: Australian Music Centre. Noise and Texture	Interactivity Where to from Here Paine, G. (2002). Interactivity, where to from here? Organised Sound, 7(3), 295-304. Interactivity OS7_3
Sonic Immersion Paine, G. (2007). Sonic Immersion: Interactive Engagement in Real-Time Immersive Environments. SCAN Journal of Media Arts and Culture (online), 4(1). SonicImmersionSCAN	The Thump Project Paine, G., Stevenson, I., & Pearce, A. (2007). The Thummer Mapping Project (ThuMP). Paper presented at the International Conference on New Interfaces for Musical Expression (NIME07), New York City, NY. PaineThuMP
Playing and Hearing Sonic Environments Paine, G. (2007). Playing and Hearing Sonic Environments. In Hearing Places (pp. 348-369). Cambridge, UK: Cambridge Scholars Publishing. Paine_Sonic Environments 010705	Neural Nets in Dance Presented at the Creativity and Exploration, College Conference, UWS, Sydney, 2005 Neural_NetsDance
Gesture and Morphology in Laptop Music Performance Paine, G. (2008). Gesture and Morphology in Laptop Music Performance. In R. T. Dean (Ed.), The Oxford Handbook of Computer Music and Digital Sound Culture (pp. 299-329): Oxford University Press. Gesture and Morphology in Laptop Performance	Endangered Sounds (Organised Sound) Paine, G. (2004). Endangered Sounds: Silence as Sonic Exploration. Paper presented at the Biennale of Electronic Arts Perth (BEAP04), Perth. EndangeredSounds
Reeds Paine, G. (2003). REEDS, a responsive environmental sound installation. Organised Sound, 8(2), 139-150. REEDS GPaine OS8_2	Artistic Context Published In: Ascott, R. (1997), Engineering nature: art & consciousness in the post-biological era ISBN-10: 184150128X Artistic Context CAiiA03
PhD Available in print from Lulu.com ISBN: 978-1-4452-0457-4 Copyright ©2009 Garth Paine (Standard Copyright License) Language: English Country: Australia Publication Date: September 30, 2009	Designing Public Acoustic Space : Australian Sound Designs, a database and website for a more considered acoustic environment. Presented at ACMC 2000 Aus SoundDesign Proj Paper
Advice to Young Composers I contributed to this document in 2007 and thought it might be of interest to others Advice to Young Composers