Publications By Garth Paine

Journal Article

2015

Paine, G. 2015. “Interaction as Material: The Techno-Somatic Dimension.” Organised Sound 20 (1):

Conf. Paper

2014

Barclay, L., Feisst, S., Gilfillan, D., and Paine, G. 2014. “The Listen(n) Project: Acoustic Ecologies of the American Southwest Desert(s) and Transmedia Dissemination.” World Forum for Acoustic Ecology Conference: Invisible Places, Sounding Cities: Sound, Urbanism and Sense of Place

Conf. Paper

2014

Biggs, S., Hawksley, S., and Paine, G. 2014. “CrossTalk.” International Workshop on Movement and Computing (MOCO), IRCAM

Conf. Paper

2014

Krzyzaniak, M., Akerly, J., Mosher, M., Yildirim, M., and Paine, G. 2014. “Separation: Short Range Repulsion. Implementation of an Automated Aesthetic Synchronization System for a Dance Performance.” NIME 2014

Conf. Paper

2013

Biggs, S., Hawksley, S., and Paine, G. 2013a. “Bodytext: Computing Soma.” 1st International Conference on Multimodal Communication: Language, Performance and Digital Media

Conf. Paper

2013

Biggs, S., Hawksley, S., and Paine, G. 2013b. “BodyText: somatic data as agency in interactive dance.” 19th International Symposium on Electronic Art, ISEA2013

Conf. Paper

2013

Biggs, S., Hawksley, S., and Paine, G. 2013c. “CrossTalk.” TaPRA: Perfromacne and the Body + Performance and New Technology

Journal Article

2013

Paine, G. 2013. “New Musical Instrument Design Considerations.” IEEE MultiMedia vol.20, no. 4, 76–84.

Conf. Paper

2011

Lem, A., and Paine, G. 2011. “A Dynamic Sonification Device in Creative Music Therapy.” WFMT World Congress of Music Therapy 116–17.

Journal Article

2011

Lem, A, and G Paine. 2011. “Dynamic Sonification as a Free Music Improvisation Tool for Physically Disabled Adults.” Music and Medicine 3 (3): 182–88.

Journal Article

2011

Paine, G, and R Salmon. 2011. “The Thinking Head Project - Knowledge Environments.” International Journal of Arts and Technology (IJART) 4 (3):

Book

2009

Paine, G. (2009). Unencumbered Human Movement in Interactive Immersive Environments. Australia: Lulu.

Conf. Paper

2009

Paine, G. 2009. “Pools Pixies and Potentials: Biosening in Dance.” 15th International Symposium on Electronic Art (ISEA)

Conf. Paper

2009

Paine, G., and Drummond, J. 2009a. “Survey of Realtime Interfaces for Electronic Music Performance.” International Conference on Music Communication Science (ICOMCS)

Conf. Paper

2009

Paine, G., and Drummond, J. 2009b. “Development of an Ontology of New Interfaces for Realtime Electronic Music Performance.” Electronic Music Studies

Journal Article

2009

Paine, G. 2009. “Towards Unified Design Guidelines for New Interfaces for Musical Expression.” Organised Sound 14 (2): 143–56.

Book Chapter

2008

Paine, Garth. 2008a. “Gesture and Morphology in Laptop Music Performance.” In The Oxford Handbook of Computer Music and Digital Sound Culture, edited by Roger T. Dean, 299–329. Oxford: Oxford University Press.

Book Chapter

2008

Paine, Garth. 2008b. “Noise and Texture, Towards and Asian Influences Composition Approach to the Concert Flute.” In Music of the Spirit: Asian-Pacific Musical Identity, edited by Michael Atherton, and Bruce Crossman, 139–49. Sydney: Australian Music Centre.

Conf. Paper

2008

Kroos, C., Stevens, C., Paine, G., Halovic, S., Chen, J., and Tardieu, J. 2008. “Analysis of Contemporary Dance Movement in the Presence and Absence of a Musical Soundscape.” 10th International Conference on Music Perception and Cognition 668–74.

Conf. Paper

2008

Lem, A., Paine, G., and Drummond, J. 2008. “A Dynamic Sonification Device in Creative Music Therapy.” Research Matters, Making a Difference

Conf. Paper

2008

Paine, G. 2008. “Interfacing for dynamic morphology in computer music performance.” Australasian Computer Music Conference 50–54.

Conf. Paper

2008

Paine, G., Sazdov, R., and Stevens, K. 2008. “Perceptual Investigation into Envelopement, Spatial Clarity, and Engulfment in Reproduced Multi-Channel Audio.” aes.org

Conf. Paper

2008

Paine, G., and Sky, H. 2008. “Pools, Pixes and Potentials.” World Dance Alliance Conference

Book Chapter

2007

Paine, Garth. 2007. “Playing and Hearing Sonic Environments.” In Hearing Places: Sound, Place, Time and Culture, edited by Ros Bandt, Michelle Duffy, and Dolly MacKinnon, 348–68. Newcastle, England: Cambridge Scholars Press.

Conf. Paper

2007

Paine, G. 2007. “Interfacing for dynamic morphology in computer music performance.” International Conference on Music Communication Science (ICOMCS)

Conf. Paper

2007

Paine, G., Stevenson, I., and Pearce, A. 2007. “The Thummer Mapping Project (ThuMP).” International Conference on New Interfaces for Musical Expression (NIME07) 70–77.

Conf. Paper

2007

Sazdov, R., Paine, G., and Stevens, C. 2007. “Perceptual Investigation into Envelopment, Spatial Clarity, and Engulfment in Reproduced Multi-Channel Audio.” AES 31st International Conference

Journal Article

2007

Paine, G. 2007a. “Interfacing for Dynamic Morphology in Computer Music Performance.” Proceedings of ICoMCS December 115.

Journal Article

2007

Paine, G. 2007b. “Sonic Immersion: Interactive Engagement in Real-Time Immersive Environments.” SCAN Journal of Media Arts and Culture (online) 4 (1):

Book Chapter

2006

Paine, Garth. 2006. “Interactive, Responsive Environments: A Broader Artistic Context.” In Engineering Nature : Art & Consciousness in the Post-Biological Era, 312–34. Chicago: University of Chicago Press, Intellect LTD.

Conf. Paper

2006

Paine, G. 2006. “The Thummer Mapping Project - ThuMP.” ENGAGE 06 270–81.

Conf. Paper

2005

Paine, G. 2005a. “An Exploration Of Corporeal Perceptual Awareness In Sonic Environments.” CEASS Conference: Scholarship and Community

Conf. Paper

2005

Paine, G. 2005b. “Artificial Intelligence Systems as a solution to subjective video sensing in Contemporary Performing Arts.” CAESS Conference online.

Conf. Paper

2005

Paine, G. 2005c. “Sonic Immersion: Interactive Engagement in Realtime Responsive Environments.” e-Performance and Plugins Conference online.

Conf. Paper

2005

Paine, G., and Stevenson, I. 2005. “The Thummer Mapping Project.” Australasian Computer Music Conference 110–15.

Journal Article

2005

Paine, G. 2005a. “An Exploration of Corporeal Perceptual Awareness in Sonic Environments.” en.scientificcommons.org

Journal Article

2005

Paine, G. 2005b. “Endangered Sounds, a Sound Project.” Organised Sound Journal 10 (2): 149–62.

Conf. Paper

2004

Paine, G. 2004a. “Endangered Sounds: Silence as Sonic Exploration.” SonicDifference: Re-Sounding the World: Biennale of Electronic Arts Perth (BEAP04) online.

Conf. Paper

2004

Paine, G. 2004b. “Gesture and Musical Interaction: The Moment of Engagement.” Image, Text and Sound 2004: The Yet Unseen: Rendering Stories 61–70.

Conf. Paper

2004

Paine, G. 2004c. “Reeds: A Responsive Sound installation.” International Conference of Auditory Display (ICAD)

Conf. Paper

2004

Paine, G. 2004. “Gesture and Musical Interaction: Interactive engagement through dynamic morphology.” New Interfaces for Musical Expression, 2004

Journal Article

2004

Paine, G. 2004. “Gesture and Musical Interaction: The Moment of Engagement.” Image, Text and Sound 2004: The Yet Unseen: Rendering Stories 61–70.

Conf. Paper

2003

Paine, G. 2003a. “Gestation.” DesignX: Critical Reflections Conference 37–42.

Conf. Paper

2003

Paine, G. 2003b. “Interactive Sound Works in Public Exhibition Spaces, and Artists Perspective.” Second Iteration Conference

Journal Article

2003

Paine, G. 2003. “Reeds, a Responsive Environmental Sound Installation.” Organised Sound 8 (2): 139–50.

Conf. Paper

2002

Paine, G. 2002. “Gestation.” Proceedings of the 2002 conference on New interfaces for musical expression 2.

Journal Article

2002

Paine, G. 2002. “Interactivity, Where to From Here?” Organised Sound 7 (3): 295–304.

Conf. Paper

2001

Bandt, R., and Paine, G. 2001. “Designing Public Acoustic Space :Australian Sound Designs, a database and website for a more considered acoustic environment.” Australasian Computer Music Conference

Journal Article

2001

Paine, G. 2001. “Interactive Sound Works in Public Exhibition Spaces, an Artist’s Perspective.” CIRCUS 2001 160.

Conf. Paper

1999

Paine, G. 1999a. “MAP1, an Immersive Virtual Environment.” Ars Electronica

Conf. Paper

1999

Paine, G. 1999b. “MAP1, an Immersive Virtual Sound Environment.” Australasian Computer Music Conference

Journal Article

1999

Paine, G. 1999. “Immersive Virtual Environments: In Search of Dynamic Realtime Interaction.” Diffusion Journal of the Sonic Arts Network, UK

Journal Article

1997

Paine, G. 1997. “Immersive Virtual Environments, Application in Museum Exhibition Design: Engagement, Entertainment and Information Delivery Through Interaction.” InSite, the journal of Museum Victoria

Conf. Paper

1996

Paine, G. 1996. “MQM, an interactive environment.” Australasian Computer Music Conference

Conf. Paper

1995

Paine, G. 1995. “Interactive technology in dance, So What?” GreenMill Dance Project