BalletLab – And All Things Return to Nature Tomorrow

Come and be amazed – immersed in sound, abducted by aliens and generally transformed

Screen Shot 2013-02-12 at 3.44.37 PM [photo Busby]

And All Things Return to Nature Tomorrow
Phillip Adams BalletLab

From vibrational energy and utopian impulses to alien abduction, this immersive performance draws together dance, sound, set design and fashion to envelop audiences into an otherworldly, transformative experience.

Choreographers Brooke Stamp and Phillip Adams construct a kinetic space where time is elastic; driven by sublime, generative sound composed by Garth Paine. In the second half – Adams’ Tomorrow – some members of the audience are asked to participate to become part of the installation and performance, creating an architectural abduction experience.

Building on Adams’ passion for collaboration across art forms, the performance features a live electronic score by Garth Paine, set design from architect Matthew Bird, clothing and design by Melbourne fashion designer Susan Dimasi from Materialbyproduct, and lighting design and effects by Robin Fox. Each choreographer will perform in their own piece alongside dancers Deanne Butterworth, Rennie McDougall and Matthew Day.

A participant in the L’Oreal Melbourne Fashion Festival Cultural Program.

Phillip Adams BalletLab is assisted by the Australian Government through the Australia Council, its Arts Funding and Advisory Body. This project has also been supported by Arts Victoria, The Ian Potter Foundation, The Angior Family Foundation, the Besen Family Foundation and Ken.

WARNING: This performance contains full nudity and immersive sound effects.

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